ELIZABETH RANSOM
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New WAPG Interview With Sujata Setia

3/27/2025

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March WAPG Interview with Sujata Setia

It was my absolute honour to interview Sujata Setia about her empowering project A Thousand Cuts. 

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In her body of work A Thousand Cuts Sujata Setia examines patterns of domestic abuse within South Asian communities. This powerful body of work employs the South Asian art of paper cutting, known as Sanghi Art, to slice into the surface of photographs depicting victims of domestic abuse. This unique mark making technique results in striking images that reveal a bold red colour beneath. Sujata provides a space of healing, empowering victims to share their stories."

You can now read the interview over on the Women Alternative Photography website. 

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WAPG Online Meet Up

3/22/2025

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Women Alternative Photography Group Online Meet Up
22 March 2024
Online

It was absolute pleasure to host the WAPG Online Meet Up featuring presentations from Amanda Couch (UK), Maedeh Ojaghloo (Iran/US), and Cara Jaye (US). Amanda Couch shared her inspiring performative pinhole work and her investigations into anthotypes. Maedeh Ojaghloo's powerful presentation investigated honour killings in Iran and Cara Jaye shared new work created during a residency in Mexico City that explores plastic pollution. 

You can now watch the recording on the WAPG YouTube channel. 

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Women of Photography 24 Hour Conference-a-thon

3/22/2025

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Women of Photography 24 Hour Conference-a-thon
8 March 2025
Online

It was my absolute pleasure to be interviewed for and featured in Laura Perdrizet's paper and presentation "Pioneering Practices: Contemporary Female Photographers Working With Alternative Photo Processes" at the Women of Photography 24 Hour Conference-a-thon.

Laura Perdrizet is an Artist and Scholar based in the US invested in the future of Creative Practice Research. 

Please see below Laura's abstract for her conference presentation. 

Laura Perdrizet, MFA, Artist & Scholar, New York City, U.S.A. >Pioneering Practices: Contemporary Female Photographers Working With Alternative Photo Processes

My paper presents a survey of contemporary female photographers who work with cyanotype and other alternative photographic processes; at once illustrating the aesthetics and issues related to their experimental practices. Inspired by English botanist and pioneering female photographer, Anna Atkins, this paper explores how women working in alternative photography today are innovators, exposing how experimentation and craft are prioritized as they practice in the margins.

Present day alt-photo practices embody the values of contemporary art: art-making is conceptually informed, materiality is central to the process and product, and experimentation is valued over tradition. Widely practiced in the 21st century, female artists are utilizing new technologies, tools, and experimental techniques to create new forms, and as a result are establishing new aesthetics in contemporary photography. Through interviews and artwork images, this presentation investigates the concept of “the pioneer,” addressing the embedded issues from past to present in gender equity and practice, shedding light on the artists’ innovations in photographic art and their resulting impact.

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    Elizabeth Ransom

    Phd Candidate at UCA, Instructor at Western Washington University and Photographic Center Northwest, and Visual Artist working with Alternative Photographic Practices.

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  • Home
  • News
  • HOMESICK
    • Studies
    • Letters Of Homesickness
  • The Woods
    • Autumn Set
    • Winter Set
    • Spring Set
    • Summer Set
  • Immigration Day
    • Rain Cyanotypes
    • Surface Records
    • Traces of Weather
  • ABOUT
  • CV
  • WAPG